Tuesday, January 09, 2007

remixed piece

Pardon the forthcoming mental diarrhea.

One of the things I've always tried to do with concept design work is to provide as clear a read as possible. To me, this has meant eliminating extra (unnecessary) information, clarifying the intent of the design as much as possible, with the idea that the main purpose is to guide someone else in creating a 3D asset. In that kind of mind set, the concept art is not the end, but simply one step along the way to the end. It's a documentation of the desired end product, but it is not the product itself.

Illustration is a different kind of thing. As the one holding the pencil (or brush, stylus, whatever your deal is), that thing you're creating is the end product. That being the case, a clear, efficient read isn't necessarily always a requirement. Meaning, you're no longer writing a visual instruction manual for someone else to build something.

Good art seems to be about being different things to different people - depending on what's going on inside your head, what you get emotionally from a piece of art will be different from what the person next to you gets out of it. I've always tried to maximize the "signal to noise" ratio in my concept art. See that stuff about "clear read" above. In illustration, it may be that "noise" can be made into "signal." By having many layers, textures, noise - there are more opportunities for meaning to arise from the art. Not necessarily "meaning" in terms of what the artist intended, but that might come from the act of a viewer looking at a piece of art and responding emotionally to patterns, lines or forms in ways that only that particular person can.

In the past I've made the comparison between concept artists and actors. Some concept artists approach their work similarly to good character actors. They are able to suppress their own voice in order to play a role that best supports the project they are working on, and you are never really conscious of CONCEPT ART. Same way that really good visual effects are not obvious, or how a lot of times it's difficult to remember the names of those good character actors. These concept artists are able to design appropriately for any time period, genre, mood, etc. Other concept artists are more like blockbuster movie stars. They do a certain thing really well, are well known for it and are hired to do that thing on someone's project. As in movies, there's definitely a market for those guys too.

As a concept artist, I've always strived for the character actor route, which means I've always attempted to eliminate any individual mannerisms or idiosyncracies in my art as much as possible, in pursuit of that "clear read," and to serve the project. Of course, as much as you try you'll never completely eliminate those personal artistic twitches. As an illustrator, I want to figure out exactly what those things are, and bring them back and refine them in my illustration work.

So all that verbiage was meant to set up this image, which is a remix of a digitally painted sketch from several months ago. My formative years as an artist (starting from say age two to about age 28) were spent with pencil and paper, and I think that a good portion of my artistic "voice" comes from that pencil, paper and linework equation.

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At 8:47 PM, Blogger AF said...


At 8:51 PM, Blogger Lorin said...

that's aweful francis...both your philosophy and your work...just stop.


At 1:14 AM, Blogger Katy Hargrove said...

I like the thought you are putting into the art you create. It's good to consider such things. Also, I like the piece in this post quite a bit. The critter has a cool face.

At 3:29 PM, Blogger kory said...

Man Francis,
You are really going strong these days. I always loved your draftsmanship but your color is excellent too.
Give me more!

At 4:26 PM, Blogger cdeboda said...

Good read and post. Thanks!

At 5:19 PM, Blogger spencerlindsay said...

Great remix dude. Too Artsy for my tastes, but cool.


At 10:03 AM, Blogger eyekaps said...

rad rad rad

At 10:24 AM, Blogger francis said...

thanks a lot you guys!

adam - been a while since I seen some new arts on your page! what up?!

lorin - hehe!

katy - thanks! i do think about stuff like that a lot, i just rarely spew it out in public. tends to make me look nutty.

kory - thanks man! i will do my best, and i do want to get back into the line work aspect a little more.

chris - thanks, i'm glad you got something out of it.

spencer - yeah, artsy fartsy is my middle name. that reminds me i have to pick up my beret at the dry cleaners...

ivan - thanks thanks thanks! been enjoying your blog too, great stuff there.

At 11:13 PM, Blogger AF said...

I'll be putting up more soon...

At 8:27 PM, Blogger GREENGIANNT said...

hi francis....
thank you for sharing your
thoughts with the public...
it was a good read~
and a reminder to be an actor...kkk

At 2:05 AM, Anonymous billyjimbo said...

I enjoyed your dissertation. I teach drawing off and on and I always try to to explain that the picture is about the picture. If the artist has no emotional conection to what he does, you end up with a technical piece that may hold some interest, but any value to the piece is supplied by the veiwer. What I get from you and your writing is that you try to do is layer each picture with an underlying purpose. Far more difficult and long term greatly more rewarding to the audience. I thank you for working this way and you've made me a fan!
Best, billyjimbo.


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